More on Assassinations (Because Randall Got Me Started)

Heather Cox Richardson

Cartoon of Charles Guiteau by Miriam Leslie, 1881.

Today is a curious anniversary. On November 14, 1851, Herman Melville’s Moby Dick went into print. Thirty years later, November 14, 1881, was the first day of the trial of Charles Guiteau, the man who shot President James Garfield. Although at first these two events seem entirely unrelated, in fact they explored the same profound American theme: How can a society succeed when its people act according to the dictates of divine inspiration?

Melville’s Ahab cannot stop hunting the white whale, even as the quest takes the lives of his crew, his own sanity, and eventually the entire ship. Guiteau insisted that he was on a divine mission when he shot Garfield, because God wanted Garfield replaced.

The question of the relationship between God and society was central in American intellectual life in the early republic. America’s Puritan divines insisted that their followers must have a personal relationship with God, but then got around the problem of divinely inspired antisocial acts by insisting that anyone operating in unorthodox ways was conspiring not with God but with the Devil. By the antebellum years, the country’s writers—Hawthorne and Melville, especially—had picked up the theme of the tension between God and society and explored it in the emotionally charged pages of their books. In the 1850s this question exploded into politics, with leaders like William Henry Seward claiming that there was a “higher law” than the Constitution that required their allegiance.

Seward’s argument horrified Abraham Lincoln, who insisted that the nation was one of laws, and who fought the Civil War according to the Constitution. Both Lincoln’s adherence to the Constitution and the sheer carnage of the Civil War effectively ended the idea that American society could accommodate the actions of those who believed themselves divinely inspired. By the time Guiteau tried to justify his actions to a jury, he was a figure of derision and disgust.

Looking Back on Assassinations and Motivation

To mark 50 years since the assassination of president Kennedy, I repost here a piece that appeared on the blog in January 2011.

Randall Stephens

On November 23, 1963 the New York Times announced "Leftist Accused: Figure in a Pro-Castro Group is Charged--Policeman Slain." Will Fritz, head of the Homicide Bureau, Dallas Police Department, linked Lee Harvey Oswald to the left-wing "Fair Play for Cuba Committee." Such connections proved more complicated than originally imagined. Oswald lied and was, by any account, a shiftless loser. Journalists and commentators grasped for a motive in the chaotic hours and days after President Kennedy's assassination. Texas, and Dallas in particular, was a hotbed of anti-Kennedy feeling and theories of a right-wing plot circulated widely. (Replace Texas then with Arizona now and some striking similarities in public discussion are apparent. Tea Partiers and John Birchers . . . anti-immigration and anti-communism . . .)

There was, in fact, enough hard-right political terrorism in the South to make such views seem credible enough. The Klan harassed and threatened civil rights workers and dynamited churches and schools. Pundits called Birmingham "Bombingham." In rare cases, gunmen assassinated black leaders and activists. The murder of Martin Luther King, Jr., in April 1968 created a political firestorm and produced innumerable theories as Kennedy's murder had less than five years before. After King's death in Memphis riots erupted across the country's cities and conspiracy theories of Klan involvement and a government assassin gripped the imagination of Americans roiled by the events of a turbulent year. Writing in Life magazine in June 1968 Paul O'Neil observed, "No real criminal organization conspired with [James Earl] Ray," King's alleged killer. Ray was, in O'Neil's words, like Robert Kennedy's assassin, Sirhan Sirhan, prone to bizarre fantasies and unreal self conceptions.

Medical professionals, journalists, and the general public have often questioned an assassin's sanity. And the current debate over the political motivations of Gabrielle Giffords' mentally unstable shooter parallel related events in history.

Was Leon Czolgosz, who shot and killed President McKinley nearly 110 years ago, insane? The American establishment, observes Eric Rauchway in Murdering McKinley: The Making of Theodore Roosevelt's America (New York: Hill and Wang, 2003), could not "admit that a low criminal had accomplished so much, and so from the start they insisted he was insane, and his action an accident of a callous fate" (x).

How a Nation Reports its Grief

Glenn Alan Cheney*

 

Theatre box where Abraham Lincoln was
shot on April 14, 1865. Ford's Theatre,
Washington, D.C. Courtesy of the Library
of Congress.

When I started compiling How a Nation Grieves: Press Accounts of the Death of Lincoln, the Hunt for Booth, andAmerica in Mourning, I had little intention of pulling together a whole book. But I soon realized I was witnessing—not reading about but witnessing—the most traumatic moment in American history. The assassination of Lincoln had shocked North and South alike.

Except for the people at Ford’s Theatre on April 14, 1865, the American people witnessed the national trauma through newspapers. Journalism was a little different in those days. Its practitioners were not restricted to today’s dispassionate, professional voice. They were expected to provide details, and they were free to use language to connote the emotions that came with those details.

Witness to Lincoln’s Assassination

Heather Cox Richardson 

What is there to say except, “Wow.”