Monday, July 30, 2012

Rewriting History? The Case of Joe Paterno

Alan Bliss

As part of its sanctions against Penn State University, the NCAA last week "vacated" 111 of the Nittany Lions' football victories under their late coach, Joe Paterno. The order changes the official record of Penn State's teams from 1998 to 2011. Technically, then, Coach Paterno no longer holds the NCAA record as the winningest coach in Division I college football.

A non-academic friend, a lawyer by profession, complains that the NCAA is rewriting history. Professional historians like me, my friend argues, should be outraged. Surprisingly, my friend is hardly alone in reading this news as an intolerable assault on historical truth. In the July 24 New York Times, Northwestern University sociologist Gary Alan Fine published an op-ed ("George Orwell and the N.C.A.A.") objecting to the NCAA's records sanction against Penn State:

Professor Fine sees this as a disturbing attempt to re-write the past, or to create a false, "fantasized," history. "George Orwell would be amused," Fine believes. But neither Fine nor others who make this argument seem to be historians, who, as far as I know, are unconcerned by the NCAA's periodic fiddling with its own record books. One reason is that retroactive bookkeeping does little to alter any "history" other than the records of the institution doing the counting. And mind, we are talking here about Division I collegiate football, where even indisputable facts are disputed endlessly. Even if that weren't so, sports historians take pains to explicate the circumstances of athletic records. Future researchers looking up the Lions' football stats will be obliged to learn all about the University's miserable scandal. The NCAA's purpose in sanctioning Penn State will be lastingly served.

As I teach my students, the past is what happened, while history is how we explain and interpret the past. Denying or obscuring inconvenient facts throws historians off at times, and can indeed rise to the level of the Orwellian. But in the long run the practice often fails. For example, we now know that Woods Hole Oceanographer Bob Ballard was not really engaged in a pure-science project to locate the wreck of the RMS Titanic. His 1985 expedition was financed by the U.S. Defense Dept., which sought his technology to examine the deep-sea wrecks of its two lost Cold-war era nuclear submarines, the USS Thresher and USS Scorpion. After obliging the Navy, Dr. Ballard carried out his "cover" mission of locating the Titanic. The success of that side-trip made Ballard an inspirational hero on the order of a winning college football coach. Among his many admirers, the new facts haven't seriously knocked him off his pedestal - they just complicate his story and that of the Titanic's rediscovery.

Historians understand better than most how little we sometimes know. We are alert to the risks that go with formulating historical understanding from data. Numbers can lie, whether they involve college football or voting. I teach students to be skeptical, critical, and open to new ideas, new sources, new data, and new interpretations of the evidence of the past. Some ideologues disdain that as "historical revisionism." But history is endlessly under revision, and we shouldn't want it any other way.

Joe Paterno was a hero. He will always hold a place in history, though the context is different now. The truth about his and Penn State's football program has badly dented his legacy. The NCAA's action on his win-loss record can't hurt the late Coach, whose troubles are over. No doubt, his family and partisans will grieve about this poisonous affair for the rest of their lives. Mainly, Penn State's vacated wins are a message to other coaches, players, administrators, fans, boosters, and just regular onlookers. The sanctions also help show that history has an annoying habit, which historians encourage, of outting lies.

Alan Bliss is a historian of the modern U.S. His research is on metropolitan political economy, especially in Sunbelt cities. He is presently a Visiting Assistant Professor at the University of North Florida.

Monday, July 23, 2012

Blog Hiatus

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While we're taking a summer break, have a look at the following HS posts on political history.

Philip White, "Winston Churchill and the New Digital 'Iron Curtain,'" February 21, 2012

Philip White, "TV Debates: Political Discussion or MMA in Suits?" February 1, 2012

Heather Cox Richardson, "Woodrow Wilson Appears Before Congress, April 7, 1913," October 5, 2011

Randall Stephens, "Women's Suffrage at 100," August 12, 2011

Heather Cox Richardson, "Half-Breeds, Stalwarts, and Contingency," June 22, 2011

Randall Stephens, "The Other Side of the 1960s or 'This Is My Country and I Know that I'm RIGHT,'" May 16, 2011

Friday, July 20, 2012

Knowlton’s Books

Dan Allosso

I recently made a trip over to the Franklin County Courthouse in Greenfield, Massachusetts, to see if they had any documents in their Probate Office on the families I’ve been researching.  I should have done this a long time ago, but I never managed to get around to it.  Now that I’m leaving the area, I had to get over there or lose the chance.  It was worth the trip.  I found wills and estate inventories for several of my people.  Most importantly, I found a huge folder for Dr. Charles Knowlton (1800-1850), including the will and inventory, an inventory of items sold in the estate sale (and who they were sold to!), and guardianship papers and accounts for the minor children Knowlton left behind.  You can learn a lot about your subject from these documents.  Who were his friends?  Who did he trust to look after his children?  Who owed him money?

One of the most interesting things for me, so far at least, has been the inventory.  It lists everything from horses and buggies (how did he get around when seeing patients?) to featherbeds and mustard spoons (what did the house and furnishings look like?).  The list of medical devices was surprising, and suggests (I’m going to check with a couple of historians of medicine to be sure) Knowlton was at the cutting edge of his profession.

And then there are the books.

By cross-referencing between the inventory and the estate sale documents, I think I’ve managed to identify nearly all of the books in Charles Knowlton’s library.  The majority of them are medical texts, as might be expected.  There are 72 titles I was able to identify, but many of them contained multiple volumes (largest being Braithwaite's Retrospect with 18 vols.), so the actual count was easily over a hundred books.  This seems like quite a large collection for a country doctor.  And interestingly, they aren’t all dated around the period when Knowlton was studying medicine (the mid-1820s).  Several of them were brand new at the time of his death (1850), which again validates the idea that Knowlton was trying to stay up to date on the very latest procedures and techniques.  In addition to the texts, he subscribed to several regional and national medical journals – one of which, The Boston Medical and Surgical Journal, he was a regular contributor to.

I don’t know enough yet about these medical texts to say whether this collection represents a particular medical point of view, but I notice there are a lot of anatomy texts and a lot of texts on treating women.  This makes sense, given Knowlton’s interest in birth control, women’s health, and women’s rights in general.  Interestingly, one of the books in what I’m calling the Freethought section of his library is Mary Wollstonecraft's Vindication of the Rights of Woman.

Which brings us to the non-medical portion of the collection.  The general library contained 28 titles, many of which (such as Peregrine Pickle) were probably books used in the education of the Knowltons’ three children or for family entertainment.  The Freethought library, in contrast, contained 43 titles.  I’m making value judgments here, assigning texts to one category or another.  Clearly, Knowlton’s medicine was influenced by his philosophy.  And clearly, even a book like Noah Webster’s An American Dictionary of the English Language could be political.  But also obviously, the Thomas Paine texts belong in Freethought, as do the histories of religion (Knowlton liked to understand the other position, and anticipate his opponent’s argument in debate).  And I’ve also put Democracy in America and Weld’s American Slavery As it Is in this section, because I think Freethought was very political for Knowlton, and his ideas about America were tightly bound to this perspective.

Charles Knowlton died in 1850, so of course we don’t see one of the foundational texts of contemporary secularism, Darwin’s Origin of Species. Robert Chambers’s Vestiges of The Natural History of Creation, however, is right where it ought to be on Knowlton’s shelf.  This is remarkable, and it demonstrates not only Charles Knowlton’s incredible coolness, but that if anything, James Secord underestimated the importance of Chambers’s anticipation of Darwin’s theory of evolution in his book, Victorian Sensation.

To see the list of Knowlton’s books, complete with links to the Google or Archive.org viewable copies, check out to my post at here.

Wednesday, July 18, 2012

History and Memory of American Slavery Roundup

Eastman Johnson, "A Ride for Liberty: The Fugitive," 1862
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"Piecing Together Stories Of Families 'Lost In Slavery,'" NPR, July 16, 2012

For decades, slavery tore apart African-American families. Children were sold off from their mothers, and husbands were taken from their wives. Many desperately tried to keep track of each other, even running away to find loved ones. After the Civil War and emancipation, these efforts intensified. Freed slaves posted ads in newspapers and wrote letters — seeking any clue to a family member's whereabouts.

In Help Me to Find My People, author Heather Andrea Williams examines the emotional toll of separation during slavery and of the arduous journey many slaves took to reunite their families.
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Christian Boone, "Controversial slavery mural gets new home," Atlanta Journal-Constitution, July 16, 2012

A controversial mural depicting slavery that until recently greeted visitors to the Georgia Department of Agriculture will be back on display starting in August.

The Georgia Museum of Art, located on the University of Georgia campus, has rescued the painting — part of a series of murals produced by Atlanta-based artist George Beattie in 1956 chronicling the state's agricultural history — from a state storage facility and will debut the collection Aug.
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Amy Wimmer Schwarb, "U.S. conference highlights slaves' southern path to freedom," Reuters, June 20, 2012

With the North Star as the guiding light for runaway slaves and Canada as the Promised Land, the underground railroad that U.S. schoolchildren read about in textbooks points to freedom in just one direction - the north.

But scholars gathering this week for the National Underground Railroad Conference will head south to St. Augustine, Florida, home to the former capital of Spanish Florida and a flight-to-freedom story rooted in the 17th century that is unknown to most Americans.
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Ira Chernus, "Slavery and 'Big Government': The Emancipation Proclamation’s Lessons 150 Years Later," History News Network, July 12, 2012

One hundred fifty years ago today, on July 13, 1862, Abraham Lincoln went out for a carriage ride with his Secretary of State, William Seward, and his Secretary of the Navy, Gideon Welles. Lincoln told them (as Welles recalled it) that he had “about come to the conclusion that it was a military necessity absolutely essential for the salvation of the Union, that we must free the slaves.” That was the seed of conception for the Emancipation Proclamation, which came to birth five and half months later, giving Lincoln his greatest legacy: “He freed the slaves.” It’s a story everyone knows.

But it’s not quite accurate. Only the slaves in the Confederate states were emancipated. Citizens of the Union could still own slaves.
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Dawn Turner Trice, "First lady's ancestry an American story," Chicago Tribune, June 18, 2012

Many Americans are fascinated by the family history of Michelle Obama, a descendant of slaves who is the nation's first African-American first lady.

You've learned a lot about her ancestry in this newspaper. Now, add to that a new book due out Tuesday, "American Tapestry: The Story of the Black, White, and Multiracial Ancestors of Michelle Obama."
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Monday, July 16, 2012

Paean to the Museum of the Fur Trade Quarterly

Heather Cox Richardson

One of my favorite publications—historical or otherwise—is the quarterly magazine of Chadron, Nebraska’s Museum of the Fur Trade. A yearly membership at the museum is $15, and it’s worth every penny, even if, like me, you live two thousand miles away from Chadron, Nebraska. It’s worth it because you get this nifty little magazine.

Nicotiana rustica
The journal is sixteen pages of totally cool information about the artifacts of the fur trade and daily life on the Plains before the twentieth century. It’s always stuff you had never even thought to wonder about. The Fall 2011 issue, for example, has an article by James Hanson on the use of “Circassian Tobacco” in nineteenth-century Russian America. This was apparently an important trade good, exceedingly popular with the Alaskan natives. Turns out it was the same form of tobacco originally cultivated in eastern America. That species, Nicotiana rustica, had been replaced in Virginia by 1620 by a milder South American species, but when eastern Americans abandoned it, Nicotiana rustica traveled to Asia and Europe where its biting flavor remained popular. The article follows Nicotiana rustica through Ukraine and back to Russian America. Five pages of text and photographs and you have learned something you never even thought to wonder about.

But the big news for me—and for anyone who teaches the history of the American West—in the Fall 2011 issue was a wonderful article by W. Raymond Wood exploring the enormous importance of cats on the frontier.

Apparently, the brown rat, also known as the Norway rat, came to the American West with Euroamericans and quickly infested local Indian communities and the frontier forts in their vicinities. In the 1830s, a man at one fort recorded the numbers of rats he trapped: in February 1836 alone he got 89. Mind you, these are just the ones he caught.

In the West, rats and the native field mice decimated stored food. One military leader complained that every day the rats ate five bushels of his fort’s corn supply. Even worse, perhaps, their tunnels undermined any man-made structure, from Mandan earth lodges to military forts.

A detail from George Caleb Bingham's painting
Such a destructive rodent infestation put a premium on cats. Quite literally, for a settler a cat could make the difference between a successful career on the frontier and bankruptcy, because only a cat could protect expensive food supplies. Cats became among the most valued of frontier possessions, as Laura Ingalls Wilder suggested when she recounted the aftermath of a rodent chewing off her father’s hair while he slept. She entitled a chapter of Little Town on the Prairie “The Necessary Cat,” and told how her father paid a small fortune for a newborn kitten to beat back the advancing mice. Thanks to Wood’s article, that passage from Wilder fits into a larger squirming, squeaking story. Now, too, George Caleb Bingham’s famous painting “Fur Traders Descending the Missouri” (1845) makes a great deal more sense . . . and it’s clear that the animal hunched on the bow is a cat, not, as some would have it, a fox.

This magazine is a little gem. I look forward to every issue.

Friday, July 13, 2012

Writing Well?

Randall Stephens

The Sokal Hoax is the stuff of academic legend. The journal Social Text published Alan Sokal's baroque send-up of po-mo, bad writing in the spring/summer 1996. Sokal gave it the absurdly pompous title: "Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity." Steven Weinberg wrote about it in the NYRB later that same year:

The targets of Sokal's satire occupy a broad intellectual range. There are those 'postmoderns' in the humanities who like to surf through avant garde fields like quantum mechanics or chaos theory to dress up their own arguments about the fragmentary and random nature of experience. There are those sociologists, historians, and philosophers who see the laws of nature as social constructions. There are cultural critics who find the taint of sexism, racism, colonialism, militarism, or capitalism not only in the practice of scientific research but even in its conclusions. Sokal did not satirize creationists or other religious enthusiasts who in many parts of the world are the most dangerous adversaries of science, but his targets were spread widely enough, and he was attacked or praised from all sides.
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Sokal also threw in some hairy theory and clunky sentences. For instance, he wrote seriously about the nonsensical "morphogenetic field" theory. His sophistry meant to impress. And the editors of Social Text were impressed. In a move that paralleled conceptual art, Sokal, so thought unknowing readers, was pushing the boundaries of so-called "science." 

Do academics in the humanities still prize purple prose and fantastic theories over clear writing and measured analysis? Are scholars stubbornly proud of their bad writing, as if to shout from the rooftops that their work is only to be read and understood by a cabal of fellow scribblers? Can anyone make a case for not rooting out unidentified antecedents, passive voice, misplaced modifiers, lack of agreement, or double negatives? Should there be some kind of writing standard, even for academics? 

To that last question Helen Sword says "yes." The author of Stylish Academic Writing (Harvard University Press, 2012), Sword writes about her project in the WSJ

Unfortunately, the myth persists, especially among junior faculty still winding their anxious way up the tenure track, that the gates of academic publishing are guarded by grumpy sentries programmed to reject everything but jargon-laden, impersonal prose. In fact, nothing could be further from the truth. Nearly everyone, including the editors of academic journals, would much rather read lively, well-written articles than the slow-moving sludge of the typical scholarly paper.
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Surely, scholars in the humanities should consider their audience and what kind of message they are trying to convey. Would any author happily describe his or her work as "inaccessible," "abstruse," or "turgid"? Probably not. Yet plow through many an article in an academic journal or read a random monograph from the shelves of your university library and those words will likely come to mind. 

Some years ago in grad school I worked with the labor historian Robert Zieger. Here's one bit of advice he offered undergrads and grad students: "Use vigorous, direct language. Short sentences work. Employ concrete, precise nouns and active verbs, being careful, for example, to find active substitutes for forms of the verb 'to be' and 'to go.' Inexperienced writers often erroneously think that convoluted language, long sentences, and pretentious diction impress teachers." And still . . . many academics seem to think "convoluted language, long sentences, and pretentious diction" will impress or suitably confuse readers. That would not be too far from what George Orwell described in "Politics and the English Language" (1946): “The great enemy of clear language is insincerity. When there is a gap between one’s real and one’s declared aims, one turns as if it were instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink.” 

But surely one kind of writing doesn't suit all disciplines! And so Sword observes:

Stylishness is in the eye of the beholder, of course, and stylistic preferences can vary significantly across disciplines. Nevertheless, all stylish academics adhere to three key principles that any writer can master: communication, concreteness, and craft.

Rejecting those three, I penned my own bit of over-written, jargon-laden academic unprose. It's exaggerated, I know. But, not by much!

The prevailing sequence of hybridity in the post-colonised novel lends itself, interstitially, to notions of conquest, absence, and disquietude of the en-lightened Mastermind. A mind{less}ness prevails, just as order, disorder, and value-induced reasoning through a countless series of dilemmas grows. A closer look bears repeating in rough contexts unlike those aberrant occidentric diodanous boundarylands. The transformation of agency-related modes of being, working, and cleaning demarcate and imbue the singularities of eroticizational ideation. Or, in one scholar's incisive words: 

My growing conviction has been that the encounters and negotiations of differential meanings and values within 'colonial' textuality, its governmental discourses and cultural practices, have anticipated, avant la lettre, many of the problematics of signification and judgement that have become current in contemporary theory—aporia, ambivalence, indeterminacy, the question of discursive closure, the threat to agency, the status of intentionality, the challenge to 'totalizing' concepts, to name but a few.*

And still, we have to ask ourselves, if only it were so simple. . . . 

Do the dominant Deleuzeian somnambulant regimes of some prelinguistic realities reinscribe what some are now, rightly, calling Academies of Texthibitionism? Are gleeful literary curios to blame for our unctuous, precious dreamworld of the deracinated female body? All such question are implicitly, if not explicitlessly, reiterated and conformed by the worries of a market-driven, late capitalist, zero-sum hegemon—a two-term qualifier revamp if there ever was one, to paraphrase Dioxané Umbriage. 

As I have argued elsewhere, and as is made rather clearly in the notes to the notes of chapter 5, the vicissitudanal convergencies of self and the “sane” are only partially related to the singularities of a final Lacanian eroticizational ideation schema. Albeit, a brave one.

Wednesday, July 11, 2012

Our Pro or Anti-Slavery Constitution?

Steven Cromack

On January 27, 1843, during the Eleventh Annual Meeting of the American Anti-Slavery Society, the abolitionist William Lloyd Garrison submitted a resolution to the Society for approval:  “Resolved, that the compact which exists between the North and the South is a covenant with death and an agreement with hell—involving both parties in atrocious criminality—and should be immediately annulled.”  As time wore on, his rhetoric and actions intensified.  On July 4, 1844, he publicly burned a copy of the Constitution.[1] Garrison believed that the Constitution was inherently evil because it supported slavery. That founding document was an affront to God.   

Is the Constitution pro-slavery?   

For the past four weeks, I have had the pleasure of attending the James Madison Foundation’s Summer Institute on the Constitution at Georgetown University.  The Madison Foundation awards fellowships to social studies teachers and aspiring teachers each year, usually one per state.  As such, I am surrounded by some of the best and brightest secondary social studies teachers from across the nation. These fellow teachers care deeply about their field and their career, and are just as passionate about the material they teach.  On Monday, in a morning discussion section, the topic of conversation was whether the Constitution was pro-slavery, a compromise, or something else. 

For a good portion of the time, the fellows discussed elements of compromise found in the Constitution.  Then Will Lorigan, from Indiana, argued that the Constitution was in fact an anti-slavery document because while it conceded certain concessions to the Southern states, it also gave the national government the power and means to abolish the institution after 1808.  Another, Christopher Carl from Florida, added that the Northerners knew that by offering the Southern states serious concessions—proportional representation, the fugitive slave clause, and a ban on further legislation on the slave trade until 1808—they knew they would triumph in the long run.  Such assertions prompted significant and fascinating discussion.

It is a very intriguing argument.  Indeed, it seems that the Academy has been grappling with the issue of slavery and its role in the founding since the era of the Civil Rights movement. And the debate rages on.  In her 2006 book American Taxation, American Slavery, Robin Einhorn writes:

We can all agree that some of these masters had admirable qualities, that Thomas Jefferson was charming and eloquent, that James Madison was a talented political theorist, that George Washington was a brilliant general . . . .  Nevertheless, these men all owned human beings and, as politicians, defended the ownership of human beings— even when they believed that society would be better off if it acknowledged that “all men are created equal” . . . and so on.[2]

Throughout her book, Einhorn argues that slavery determined the economic system of the early United States, all the while undermining the spirit of a new American nation.

The historian Gordon Wood, however, lambasts those historians who considered the continuation of slavery as a failure of the revolution.  In a scathing review of Einhorn’s book, Wood writes:

It was inevitable that our recent accounts of the Revolution and the founding of the nation would reflect our increased understanding of the importance of slavery to the history of America. . . . to help satisfy the seemingly insatiable desire of many historians today to place slavery at the heart of America’s origins. . . . Robin L. Einhorn has no problem reading the present back into the past or, for that matter, reading the past forward into the present.[3]

Wood’s words essentially indict Einhorn for bringing the present perspective of hindsight into the past.

Was the Constitution pro-slavery or anti-slavery?  Was it a compromise or something else?  Such debates reveal the contested nature of history.  These men— Washington, Jefferson, and Madison—have long been dead.  Their writings live on.  Historians will never be able to fully know the inner worlds of these figures.  Scholars can never know their true intentions, or comprehend fully what they really meant.  The founders’ words offer clues, and perhaps if one gets enough pieces of the puzzle, an incomplete portrait emerges.  But if historians cannot agree on the shape of the piece, not even a partial picture emerges.

Another fellow, James Moran from Idaho, put it another way when he said, “the Constitution is what it is, nothing more.”
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[1] “William Lloyd Garrison,” in American Political Thought, 6th Edition, ed. Dolbeare & Cummings (Washington: CQ Press, 2009), 203.

[2] Robin Einhorn, American Taxation, American Slavery (Chicago: University of Illinois Press, 2006), 14.

[3]  Gordon Wood, “Reading the Minds of the Founders,” New York Review of Books, 28 June 2007.

Monday, July 9, 2012

A Popular Portrait of Jefferson

Dan Allosso

In the spirit of the Historical Society's recent conference on talking to the general public about history, I thought I'd share some of my initial reactions to a recent popular biography: Christopher Hitchens's Thomas Jefferson: Author of America (Harper, 2009).  In a short volume that seems to have achieved both commercial success and good reviews, Hitchens portrays Jefferson as not only the author of America (writer of the Declaration and purchaser of Louisiana), but as a symbol of the conflicts that have always been close to the heart of the “republican experiment.”  Given Hitchens’s notoriety, it’s impossible to completely separate the author from the subject; so this is not really a standard biography.  It’s sort-of half biography and half Hitchens’s reflections and evaluations.  But in this critical role, Hitchens may be providing a useful corrective to the hagiographical (or anti-) chronicles of Jefferson’s life we’re more accustomed to reading.

Although Hitchens is not a historian, he does a pretty good job of inserting names, dates, and events that provide both context and a sense of the culture Jefferson involved himself in.  This is a short book (208 pages), so there’s a limit to the amount of detail that can be jammed in, but Hitchens chooses some elements that illuminate Jefferson’s character.  And he offers perspectives you wouldn’t normally get from a historian, such as when he observes that the fact Thomas and Martha delighted in reading passages from Sterne’s Tristram Shandy to each other suggests “we are studying a man with very little sense of humor.”

In another interesting moment, Hitchens describes Jefferson as the “republican equivalent of a philosopher king, who was coldly willing to sacrifice all principles and all allegiances to the one great aim of making America permanent”  (p. 14).  While this sense of a permanent guiding mission may be ahistorical (although we find it in some academic biography, too), Hitchens makes a strong case for long-term connections in Jefferson’s story.  At one point, he recounts Jefferson’s dismal performance as governor of Virginia during the Revolution, which he contrasts with Alexander Hamilton’s record.  Too frequently, we seem to lose sight of the ongoing political weight of issues like these – if only in the sheer volume of data coming at us in traditional biographies.  And when Jefferson wrote his famous Notes on the State of Virginia, Hitchens calls attention to the fact he was responding to a questionnaire sent him by Francois Barbé-Marbois, who not coincidentally was the future negotiator of the Louisiana Purchase.  The sense of continuity and relatedness of events Hitchens brings to such a short retelling of Jefferson’s life is really helpful.

As one of America's leading atheists, Christopher Hitchens would of course be expected to show his interest in Jefferson as a prototype of the secular American, and he doesn’t disappoint.  But his coverage of Jefferson’s anticlericalism and “Enlightenment” orientation is much less strident than it might have been.  Hitchens does connect Jefferson with Edward Jenner and the cowpox vaccination, and he does point out that “Dr. Timothy Dwight, then president of Yale and to this day celebrated as an American divine, was sternly opposed to vaccination as a profane interference with God’s beneficent design” (p. 44).  But he also goes after Jefferson’s hypocritical attitudes about slavery and race.  “A bad conscience, evidenced by slovenly and contradictory argument, is apparent in almost every paragraph of his discourse on this subject,” Hitchens concludes (p. 48).  But he grants, quoting Jefferson, that a “The man must be a prodigy who can retain his manners and morals undepraved by such circumstances”
(p. 49).

Hitchens tells the story of Jefferson as a remarkable human being, who achieved incredible things while failing to completely transcend his nature as a male mammal living in the eighteenth century.  And he calls attention to parts of Jefferson’s historical role (in abandoning the Haitian Revolutionaries and in sending the Marines to North Africa) that it might be useful for us to remember.  In a passage that I found funny, Hitchens suggests that Dumas Malone (the ultimate academic biographer of Jefferson) “had great difficulty considering the question of carnal knowledge at all” (p. 61).  This seems a little harsh, until Hitchens reminds the reader that as late as 1985 Malone insisted that “for Madison Hemings to claim descent from his master was no better than ‘the pedigree printed on the numerous stud-horse bills that can be seen posted around during the Spring season’” (p. 65).  I appreciate the freedom Hitchens had as a non-academic author, to trash “Jefferson’s most revered biographer” in a way that clearly needed doing.

In the end, Hitchens’s conclusions about Jefferson match his understanding of his adopted nation.  “The truth is,” he says, “that America has committed gross wrongs and crimes, as well as upheld great values and principles” (p. 186).  Thomas Jefferson: Author of America is part of Harper-Collins’s “Eminent Lives” series for general readers, but it might be useful as a short, accessible supplementary text for high school and undergraduate students in a U.S. survey.  For that purpose, I think the author’s perspective as a non-academic and the fact that he has a clearly-stated position are among the book’s most valuable assets.